The way we had it before, it sounded a little bit old-fashioned, almost like glam rock. Again, this was one which Max really helped shape sonically. “We started the song probably over 10 years ago and couldn’t really finish it. Because then it allows the other songs around it to sound bigger and fuller.” Sometimes as a musician, it's my job to step in and say, 'Actually, the best course of action for me is to not play anything at all, because what we created here has a much more unique sound.' You have to take your ego out of the picture and understand that the best job you can do is leave something alone. “We love the way that sound shaped up with all the stacked layers of vocals it's almost like a modern-sounding gospel song in some ways. It just adds color and character to the music.”
But I think as time has gone on, it's become more interesting for us to work with other people from different parts of the world, different genres.
When we were younger, we kind of locked ourselves in a room and felt we had to prove everything ourselves. Collaborations in general are something that we've done more of recently. And we were very grateful that when we asked Selena to sing on it, she loved the song and was happy to do so. And quite early on we realized it needed a female counterpart to the vocal. It could be from just editing the basic song and the song structure or it could be adjusting slightly the rhythm pattern to make it all stick together better.” It didn't sound very fresh it had a good energy, but was maybe just a little bit too rock for us, and he really gave it more of a modern shine. “You can sketch ideas out in the studio sometimes, and that was one we were really kind of struggling with before Max took the reins. The famous story which is going around about this song is how Chris kind of was tapping out the drum pattern on a bathroom sink, and he recorded it on his phone and then went and wrote the song on top of it.” We wanted to put out this optimism and positivity into everything on this album. “I think people needed to have something uplifting. “That’s an intro piece called ‘Music of the Spheres.’ We always make albums as a whole, and we started putting interludes and musical sections between songs, almost like palate cleansers.” “We should have been asking them.” Read on for behind-the-scenes tales of making Music of the Spheres. “I think they're bigger than us,” Berryman says.
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“Let Somebody Go” features Selena Gomez, while “My Universe” boasts none other than K-pop phenomenon BTS, who could always use some brains to pick as they learn how to navigate megastardom. The entire project is so imbued with youthful spirit that five tracks have emojis as titles.
Lead single “Higher Power” could not have made those blockbuster intentions clearer or been a better showcase for (Max) Martin’s trademark pop sheen. “We had thought ahead to playing in big stadiums.”
They knew it would be called Music of the Spheres and they knew it would be helmed by Swedish über-producer Max Martin (no relation to frontman Chris), a partnership they kicked the tires on with the Everyday Life track “Orphans.” “He's just so talented and everything just meshed together so well with everybody's personalities in the studio,” Berryman says. Since 2019's Everyday Life was always intended to be stripped-down and introspective, without the customary world tour, the band already had a trove of songs earmarked for a proper larger-than-life affair and a vision for their use. “If you're building a building without any kind of architect's drawings, you would just start piling bricks on top of each other.” This preparation particularly came in handy in the case of a paralyzing global pandemic. “It allows us a little bit of discipline in the studio knowing what we're trying to build,” bassist Guy Berryman tells Apple Music. In Coldplay’s case, that means starting every album with an agreed-upon title that dictates the project’s direction, from songwriting to production style to visuals. You don’t become one of the biggest bands in the world without sticking to a system.
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